深圳摄像 [</SPAN></SPAN>初级摄影全程训练教程</SPAN>1]</SPAN>
</SPAN>训练</SPAN>1</SPAN>、全景深练习</SPAN>
</SPAN>被摄体</SPAN>:</SPAN>一般风景、花卉、城市建筑等冲击力较强的景物。</SPAN>
</SPAN>要</SPAN> </SPAN>求</SPAN>:</SPAN>画面全部实焦。</SPAN>
</SPAN>建</SPAN> </SPAN>议</SPAN>:</SPAN>首先使用广角镜头</SPAN>:24MM—35MM</SPAN>拍摄</SPAN>, </SPAN>光</SPAN> </SPAN>圈</SPAN>:F11—16,</SPAN>光圈优先</SPAN>AE</SPAN>模式。</SPAN>
</SPAN>训练</SPAN>2</SPAN>、单体对焦练习</SPAN>
</SPAN>要</SPAN> </SPAN>求</SPAN>:</SPAN>只把焦点对在主要被摄体上</SPAN>,</SPAN>浅景深。</SPAN>
</SPAN>建</SPAN> </SPAN>议</SPAN>:</SPAN>中望远镜头</SPAN>:85MM</SPAN>以上</SPAN>,</SPAN>光圈</SPAN>F5.6</SPAN>或更大。光圈优先</SPAN>AE</SPAN>模式。</SPAN>
</SPAN>训练</SPAN>3</SPAN>、定格练习</SPAN>
</SPAN>被摄体</SPAN>:</SPAN>体育运动项目、行走着的汽车、火车</SPAN>,</SPAN>流动着的水</SPAN>,</SPAN>瀑布等。</SPAN>
</SPAN>要</SPAN> </SPAN>求</SPAN>:</SPAN>将激烈运动着的被摄体的瞬间动作或瞬间表情记录下来。</SPAN>
</SPAN>建</SPAN> </SPAN>议</SPAN>:</SPAN>高速快门</SPAN>1/1000</SPAN>秒以上、快门速度优先</SPAN>AE</SPAN>模式。</SPAN>
</SPAN>训练</SPAN>4</SPAN>、动感练习</SPAN>
</SPAN>被摄体</SPAN>:</SPAN>体育运动项目、动态的人、流动着的水</SPAN>,</SPAN>瀑布等。</SPAN>
</SPAN>要</SPAN> </SPAN>求</SPAN>: </SPAN>运动员和动态人的身体的一部分虚化或动体实背景虚。流动着的水</SPAN>,</SPAN>瀑布等有流线感。</SPAN>
</SPAN>建</SPAN> </SPAN>议</SPAN>:</SPAN>慢速快门</SPAN>1/15</SPAN>秒－</SPAN>11</SPAN>秒。先从</SPAN>1/30</SPAN>秒开始练习</SPAN>,</SPAN>然后</SPAN>1/15</SPAN>、</SPAN>1/8</SPAN>、</SPAN>1/4</SPAN>、</SPAN>1/2</SPAN>、</SPAN>1</SPAN>秒逐段练习。使用三脚架。</SPAN>
</SPAN>训练</SPAN>5</SPAN>、取景练习</SPAN>
</SPAN>要</SPAN> </SPAN>求</SPAN>:</SPAN>突出主题</SPAN>,</SPAN>画面简练</SPAN>,</SPAN>能传达出被摄场景的气氛。</SPAN> *</SPAN>此项训练是构图训练的基础</SPAN>
</SPAN>建</SPAN> </SPAN>议</SPAN>:</SPAN>望远镜头</SPAN>,</SPAN>大光圈。</SPAN>
</SPAN>训练</SPAN>6</SPAN>、特写练习</SPAN>
</SPAN>被摄体</SPAN>:</SPAN>花卉、静物、昆虫等。</SPAN>
</SPAN>要</SPAN> </SPAN>求</SPAN>:</SPAN>被摄体占画面的比例尽量大</SPAN>,</SPAN>突出被摄体的形状和有趣的部分</SPAN>,</SPAN>高清晰度。</SPAN>
</SPAN>建</SPAN> </SPAN>议</SPAN>:</SPAN>使用微距镜头或微距功能及近摄接圈</SPAN>,</SPAN>最短摄影距离</SPAN>,</SPAN>镜头与被摄体保持平行。使用三脚架及快门线。</SPAN>
</SPAN>训练</SPAN>7</SPAN>、各种焦距镜头</SPAN>(</SPAN>镜头各焦段</SPAN>)</SPAN>的使用练习</SPAN>
</SPAN>利用各种焦距镜头</SPAN>(</SPAN>镜头各焦段</SPAN>)</SPAN>进行拍摄练习</SPAN>,</SPAN>借此了解镜头各个焦距的特点</SPAN>,</SPAN>理解画角及透视关系</SPAN>,
</SPAN>活用各焦距段的不同景深。</SPAN>
</SPAN>标准镜头</SPAN>: </SPAN>焦距</SPAN>50MM</SPAN>左右的镜头</SPAN>——</SPAN>极其自然</SPAN>,</SPAN>没有夸张。</SPAN>
</SPAN>广角镜头</SPAN>: </SPAN>焦距</SPAN>35MM</SPAN>以下的镜头</SPAN>——</SPAN>强调远近感。</SPAN>
</SPAN>中望远镜头</SPAN>:</SPAN>焦距为</SPAN>85MM</SPAN>～</SPAN>135MM</SPAN>的镜头</SPAN>——</SPAN>与人眼最接近的透视（远近）感</SPAN>,</SPAN>能正确体现被摄体的形状</SPAN>,
</SPAN>多用于人像摄影。</SPAN>
</SPAN>望远镜头</SPAN>:</SPAN>焦距为</SPAN>200MM</SPAN>以上的镜头</SPAN>——</SPAN>很少远近感</SPAN>,</SPAN>有压缩效果。（易抖动</SPAN>,</SPAN>尽量使用三脚架）</SPAN>
</SPAN>练习</SPAN>8</SPAN>、横、纵位构图</SPAN>
</SPAN>被摄体</SPAN>:</SPAN>景物、山河、建筑、人物等</SPAN>.
</SPAN>要</SPAN> </SPAN>求</SPAN>:</SPAN>用横位构图表现稳定感和宽阔感</SPAN>,</SPAN>用纵位构图表现纵深</SPAN> </SPAN>感和高度感</SPAN>,</SPAN>画面不能有无用的空间</SPAN>.
</SPAN>建</SPAN> </SPAN>议</SPAN>:1</SPAN>、对同一被摄体分别用横、纵位构图法拍摄</SPAN>,</SPAN>比较作品的不同感受</SPAN>.
2</SPAN>、横位构图表现安定感时使用标准焦点以上的镜头</SPAN>,</SPAN>表现宽阔感时使用广角镜头</SPAN>.
3</SPAN>、纵位构图表现纵深感与高度感时使用广角镜头</SPAN>,</SPAN>注意画面中近景与远景的位置配置</SPAN>.
4</SPAN>、构图时应特别注意水平与垂直</SPAN>,</SPAN>使用三脚架</SPAN>.
</SPAN>练习</SPAN>9</SPAN>、三角形构图</SPAN>
</SPAN>被摄体</SPAN>:</SPAN>三角形或类似三角形的景物</SPAN>,</SPAN>建筑</SPAN>,</SPAN>人物造型等</SPAN>.
</SPAN>要</SPAN> </SPAN>求</SPAN>: </SPAN>利用三角形在画面中不同的位置配置</SPAN>,</SPAN>表现稳定感、跃动感、高度感和宽阔感</SPAN>.
</SPAN>建</SPAN> </SPAN>议</SPAN>:1</SPAN>、画面中有容易识别的三角形造型</SPAN>,</SPAN>三角形构成的复数物体焦点要实</SPAN>,</SPAN>要有平衡感</SPAN>.
2</SPAN>、高楼大厦和道路等高大细长的景物时使用</SPAN>20MM</SPAN>以下的广角镜头</SPAN>.
3</SPAN>、使用景深预测功能</SPAN>.
</SPAN>练习</SPAN>10</SPAN>、对称形构图</SPAN>
</SPAN>被摄体</SPAN>:</SPAN>所有具有对称构图性质的景物、人物造型、建筑等</SPAN>.
</SPAN>要</SPAN> </SPAN>求</SPAN>:</SPAN>利用上下左右对称构图</SPAN>,</SPAN>表现稳定感和超现实意境</SPAN>.
</SPAN>建</SPAN> </SPAN>议</SPAN>:1</SPAN>、选择优美的对称形</SPAN>,</SPAN>对称形的两边焦点都要实</SPAN>,</SPAN>每个对称形表现要明显</SPAN>.
2</SPAN>、尽量使用标准焦点以上的镜头</SPAN>,</SPAN>使用广角镜头时要注意相机与被摄体保持平行</SPAN>.
3</SPAN>、拍摄岸边与水中的对称构图景物时使用偏光镜</SPAN>,
4</SPAN>、求全景深不得不用小光圈时使用三脚架</SPAN>.
</SPAN>
深圳摄像影视剧拍摄 婚庆摄像 会议摄像 活动摄像 13926533876</SPAN>方导</SPAN></SPAN>
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