漫谈书法结构(二十二)_马俊青_今题博客
|
漫谈书法结构(二十二) 马俊青 蔡邕的书法结构思想是建立在古代哲学基础上的，他在《九势》中言：“夫书肇于自然，自然既立，阴阳生焉；阴阳既生，形势出矣。”也就是说，蔡邕的书法结构是按照阴阳相生相克之理来构建书法之形的，然不足之处，就是没有更为详细地将此观点阐述明白，使后人只得一个大概，而不明其中的细微之理。尤其是对古代阴阳思想缺乏研究的人，更加难以明白其中的道理，即使费很大劲弄明白了一些，也很难运用到具体的实践之中。</SPAN></SPAN> 尽管如此，蔡邕所提出的以阴阳生克之理来指导书法的形体结构，确实是站在了哲学的高度来思考这个问题，起点是非常高的，我们不能不产生深深的敬意。书法研究起点的高度对后世书法的发展产生了极为深远的影响，只所以翰墨飘香数千年不衰，不能不说与此有着极为密切的关系，这也是人们将书法称之为书道的主要原因之一。</SPAN></SPAN> 阅读全文>> |
| It was a very foggy day in London. The fog was so thick that it was impossible to see more than a foot or so. Buses, cars and taxis were not able to run and were standing by the side of the road. People were trying to find their way about on foot but were losing their way in the fog. Mr. Smith had a very important meeting at the House of Commons and had toget there but no one could take him. He tried to walk there but found he was quite lost. Suddenly he bumped into a stranger. The stranger asked if he could help him. Mr. Smith said he wanted to get to the Houses of Parliament. The stranger told him he would take him there. Mr. Smith thanked him and they started to walk there. The fog was getting thicker every minute but the stranger had no difficulty in finding the way. He went along one street, turned down another, crossed asquare and at last after about half an hour's walk they arrivedat the Houses of Parliament. Mr. Smith couldn't understand how the stranger found his way. "It is w...阅读全文>> |
|
1. 小白兔蹦蹦跳跳到面包房，问： “老板 ，你们有没有一百个小面包啊？” 老板：“啊，真抱歉，没有那么多” “这样啊。。。”小白兔垂头丧气地走了。 第二天，小白兔蹦蹦跳跳到面包房, “老板 ，有没有一百个小面包啊？” 老板：“对不起，还是没有啊” “这样啊。。。” 小白兔又垂头丧气地走了 。 第三天，小白兔蹦蹦跳跳到面包房, “老板 ，有没有一百个小面包 啊？” 老板高兴的说： “有了，有了，今天我们有 一百个小面包了！！” 小白兔掏出钱：“太好了，我买两个！” 3.第一天，小白兔去河边钓鱼，什么也没钓到，回家了。 第二天，小白兔又去河边钓鱼，还是什么也没钓到，回家了。 第三天，小白兔刚到河边，一条大鱼从河里跳出来，冲着小白兔大叫：你他妈的要是再敢用胡箩卜当鱼饵，我就扁死你！ 4.为了测试美国, 香港, 中国大陆三地**的实力, 联合国将三只兔子放在三个森林中,看三地**谁先找出兔子.第一个森林前是美国**, 他们先花整整半天时间开会制定作战计划, 严格分工, 然后派特种部队快速进 |
Suzie0519
Suzie0519自定义分类的文章
